Directions for questions 34 to 36: The passage given below is followed by a set of questions. Choose the
most appropriate answer to each question
In a stadium in Prague, 20 years ago today, a hundred thousand people, including my father and me, saw
something we were not supposed to see. For decades it had been forbidden. The music, we were told,
would poison our minds with filthy images. We would be infected by the West's capitalist propaganda.
It was a cool August night in 1990; the Communist regime had officially collapsed eight months earlier,
when Vaclav Havel, the longtime dissident, was elected president. And now the Rolling Stones had come
to Prague. I was 16 then, and to this day I recall the posters promoting the concert, which lined the streets
and the walls of the stadium: “The Rolling Stones roll in, Soviet army rolls out.
Soviet soldiers had been stationed in Czechoslovakia since 1968, when their tanks brutally crushed the
so-called Prague Spring. My father was 21 at that time, dreaming of freedom and listening to bootlegged
copies of “Let's Spend the Night Together.” But it would be more than two decades before he would get to
see the band live. During those years, you had to tune into foreign stations to hear the Stones. Communists
called the band members “rotten junkies,” and said no decent socialist citizen would listen to them.
I only knew one Stones song, “Satisfaction” — but I knew it by heart. I had heard it for the first time on a
pirated tape my father had bought on the black market in Hungary and smuggled into the country. It put an
immediate spell on me. I was hugely impressed by the rough, loud guitar riff, so unlike the mellow sound
of Czechoslovakian music. (The Communists frowned on the bass and the electric guitar, but they severely
disapproved of the saxophone because they said it was invented by a Belgian imperialist.)
Czechoslovakians had been urged for four decades to sacrifice their inner dreams to the collective happiness
of the masses. People who went their own way — rebels — often ended up in jail.
That night in August, waiting for the Rolling Stones to come on stage, we felt like rebels.
The concert was held in the same stadium where the Communist government used to hold rallies and
organize parades. My classmates and I had spent endless hours in that stadium, marching in formations
that, seen from the stands above, were supposed to symbolize health, joy and the discipline of the masses.
Now, instead of marching as one, we were ready to get loose. “We gotta get closer,” my father whispered
into my ear as we tried to make our way through the crowd.
I sensed that everyone was nervous. They were accustomed to being lied to, to having promises broken.
They didn't quite believe that the Stones were really coming to play live. I could see that my father didn't
either. “We might see their photographs or a movie instead,” I heard some people saying, pointing to huge
video screens installed inside the stadium. I started to have doubts myself. We had been waiting for five
hours.
Suddenly, the lights dimmed. Drums started to pound, and the screens turned on as if by magic. “Oh my
God, it is really happening,” whispered a woman standing close to me. She was expressing something
more than just the thrill of a concert. She was saying that the Communists were truly gone. That we were
finally free to do as we pleased.
34. Which of the following best captures what the Rolling Stones concert stood for in the author's mind?
(a) A chance to celebrate the demise of the communist regime.
(b) An expression of individual choice and freedom.
(c) An opportunity to indulge in an activity that had been banned for a long time.
(d) A rebellion against conformity.
35. According to the passage, which of the following is not a characteristic of Czechoslovakia while it
was under Soviet/Communist influence?
(a) Suppressing of individual thoughts and ideas.
(b) Mass demonstrations and parades.
(c) Censorship of news reporting.
(d) Discouragement of rebellious ideas or themes.
36. What can be inferred as the real reason for Communists in Czechoslovakia to oppose 'The Rolling
Stones'?
(a) They were viewed as a form of rebellion by the regime.
(b) They were created by outsiders and conflicted with traditional Czech themes.
(c) They exposed the audience to vulgar images.
(d) They were a form of propaganda for Western governments.