Furniture From Indonesia Sri Lanka & India During The Dutch Period by Jan Veenendaal
FURNITURE
WITH LOW-RELIEF
CARVING, 1650-1680
In 1646 ebony is mentioned for the first time
as a wood for furniture in the Batavian in-
ventories. Ebony had
already played an im-
portant role right from
the very beginnings of the
V.O.C. Originally it was obtained from Mauri-
tius but, later, about 1644, also from Buru, one
of the islands in the Moluccas.
Rumphius says that it was discovered there in
1641 but that, because of intensive felling, even
before 1670 no big old trees were to be
found
there anymore. 1) There was an enormous interest
in a source of new supplies because
the demand
for ebony in Europe was growing. "Kunstkabi-
netten" from the beginning of the 17th century
were completely veneered with ebony and Hol-
lands cushion-cupboards (kussen-kasten)
from
the second half of this century also
required a
great deal of this sort of wood.
The Dagh-Register is interesting as it describes
a new source in 1644:2)
"During a return voyage from Menado some
twenty miles from Ternate (they) had discovered
an island that was well-covered with ebony, and
from there in a short time a whole ship's cargo
should be able to be got and from the same sent
two chairs as samples. Noted that the island lay
about twenty miles north-westwards of Ternate".
"Int weerom comen van Menado omtrenl
twin-.
tich mijlen van
Ternaten hadden (ze) een
eylant
gevonden dat seer
plantayt met ebbenhouwt be~
wassen was, ende
van daer in cort een gansche ;
scheepsladingh te
becomen soude sijn ende vant
selve twee stoelen tot monsters sont. Noteert dat
eylant ongeveer 20 mijlen N. W. waert van Terna-
te".
From this it can be assumed that the two
chairs mentioned were probably made on the ship
and that no one thought it strange that a few ..
chairs should be put
together straightaway from
this costly wood.
The supply from the Moluccas was so great that,
by 1657, there had already been discussion
in the Council of The Indies (Raad van Indie)
about the discontinuance of the fortress on Mau-
ritius, the more so because, at that time, on this
island one had to penetrate further and further
into the hinterland in order to find the trees. Un-
der such circumstances the transport of the
timber to the ships became too difficult.
Possession of uninhabited Mauritius was
taken once more in 1663. That same year the first
samples of ebony from the Coromandel Coast
appeared on the market. These were traded to
Persia with a hefty profit for the V.O.C.3) It was
only in 1665 that rumours began to fly that in Sri
Lanka,
near
Trincomalee, a lot of ebony could be
obtained from the forest. 4,5)
In The Netherlands ebony chairs we~e not
completely unknown because, in 1612, the Sultan
of Turkey had received two ebony chairs as a gift
from the States General. 6) The appearance of
these chairs is not
described. It was usual to up-
holster the back and the seat, which is no simple
undertaking with an ebony chair because of the
hardness of the wood and its tendency to split.
Another
type of Dutch chair of the period is the
so-called Haarlem chair with a double row of bal-
usters in the back and a plank seat. This type,
which was developed from Italian prototypes,
lent itself better to manufacture from ebony.
In the National Museum of Ethnology in
Leyden there is a low chair which, according to
tradition, came from
the Sultan of Solor who
presented it to the ruler of Tebukan about
1650.7) This chair which
is almost identical to the
one in PI. 1, has a back which is ornamented with
flowers and narrow leaves in low-relief. Another
chair (PI. 2) in the Ashmolean Museum at Ox-
ford, was presented to
Elias Ashmole by Charles
II of England in the 17th century probably from
the supply of furniture that came into his
possession through his marriage to the
Portuguese princess, Catherine of Braganza, in
1661. This chair has the
same sort of decoration
on the back as has the low chair of the Sultan of
Solor. There are more
remarkable similarities.
The background of the carving is not smooth but
consists of small circles with a diameter of about
1 mm. This pattern must have been hammered on
with a hollow pipe. This method was used both in
India and Indonesia to deal with the background
to a Scene that had been either chased or engraved
onto metal. The shallow carving on the chairs
also more readily calls to mind decoration on
metal rather than on
wood.
In The Netherlands folding chairs with a single
or double row of balusters in the back are to be
found.
These
chairs are carved and the back-
ground correspondingly worked with a nail or
something similar (PI. 67, PI. 68). The stems of the plants on the cresting rail of
the back grow from the centre underneath and
05pt; give the impression of all being part of one plant
(PI. 1, PI. 2). This contrasts
to the plant motifs in
half-relief
on the later ebony furniture from
Indonesia. This cresting of a
chair is
completely
in
accordance with the custom in India. In the
Manasara,
a centuries old Sanscrit text, a tre~ is
mentioned
as being placed, as a decorative
element, as the crest on the back of a chair. 8)
This
tree was embellished with different flowers
in all
sorts of colours and, in the branches,
monkeys,
gods and demi-gods disported them-
selves.
The contours of the cresting rail and the back
of the
chair as a whole are almost the same on the
two
chairs. One difference is the twisting of legs
and
stretchers of the chairs mentioned above.
Examining the grooves in Ashmole
's
cha
ir
closely two spirals can be counted
(
Fig
.
2a
).
Th
e
Indonesian chair has one spiral with a
c
o
rd
carved into it and less tu
r
ns per unit of leng
th
(Fig. 1)
.
This lastmentioned t
wis
t
occurs
frequently in France
,
Ital
y
and Spai
n,
but
was
also not unknown in The Ne
th
erlan
d
s
.
If the chairs under discussion are
compared
with the one in Plate 4, the correspondence of the
carving and the contours is immediately obvious.
This chair was bought in England which makes it
probable that the chair is either of Indian or
Singhalese provenance.
When the chair was dismantled, Tamil
letters
were discovered on the tenons of the back rails
(PI. 5). Looked at from the front these
read @=
ru on the left and GV = la on the right. These let-
ters had also been carved into the tenons of the
stretchers between the legs, at least as far as these
are still available. The perfect state of the back
makes it plausible that these letters are not a later
addition. Tamil is spoken in south-eastern India
(Tamil Nadu) and in the north of Sri Lanka. Ta-
mil is also spoken in some other areas of Sri Lan-
ka. Therefore the chair with the Tamil
inscription
will probably have been made in one of these
areas. Later it will become obvious that the Coro-
mandel Coast is the most likely place. In Plate 6
the top and bottom rails from the back of an-
other, identical chair and from the low chair
in
Plate 1 have been put next to each other for com-
parison.
e cres,
The rail Al is taken from a chair
which is the
same as the one shown in Plate 4. There is also a
Tamil letter (f = r) on this rail. No letters
have
been found on BI and B2 (PI.
6), the back rails of
the smaller chair in Plate I.
On this chair, in or-
der that it could be put together properly, small
lines were made with a gouge at the tenons of the
stretchers and also by the mortises of the upright
parts. This method was generally employed in
the
construction of ebony chairs.The similarity between the lowest
rails (A2 and
B2) is striking. In the centre there is the ju-i or
cloud motif that was used on Chinese porcelain,
especially during the Wan Li period (1573-1619).
Although the S-shaped scrolls have been effected
differently, they show a strong similarity in form.
This type of back rail occurs on both
high and
low chairs as well as on armchairs that have been
found on lava and in the Moluccas. In the
Museum Boymans-van Beuningen in Rotterdam,
there is a similar sort of small armchair with low-
relief carving which was purchased between 1872
and 1877 and came from a small Protestant church
on Banda. This serves to
underline the
enormous dispersion area of this sort of chair,
from India to the Moluccas
no less.
The spread
was probably the result of the
many transfers of V.O.C. personnel
between the
various company stations in Asia. However, this
does not explain why so many chairs and other
pieces of furniture are to be found in Indonesia
and so relatively few in England. Admittedly Ba-
tavia was an important centre of production, but
many pieces of furniture were undoubtedly
manufactured elsewhere. The inventories (Inv.
3)
and various descriptions of journeys indicate that
the" coast", i.e. the Coromandel Coast of India
(Tamil Nadu and Andhra Pradesh), harboured
an important industry for the
production of
ebony and kaliatur (Pterocarpus santalinum) fur-
niture.
F. Valentijn en O.E. Rumphius both mention
the fact that furniture
with carvings of figures
and foliage was made on the
Coromandel Coast.
Valentijn, who might well
have made use of
a
manuscript of
Rumphius, writes the following on
this topic:9)
"Th
e
re
a
re also here (North Coromandel with
Pulicat, Masulipatnam and Bimlipatnam as the
mo
st imp
o
rtant centres) carpenters who carve un-
c
ommo
nly fine day beds, settees, Tables, Chairs
and Bedsteads of ebony wood, Caliatoer wood
etc.: very
skilfully wrought with all manner of
flowers, animals, etc.: for little money,
and with
few tools",
"Ookzijn' er Timmerlieden die ongemeene frae-
je rust-banken, zit-banken, Tafels, Stoelen, en
Ledekanten van ebben-hout,
Caliatoer-hout &c;:
zeer konstig met allerley bloemen, dieren, &c;:
voor gering geld,
en met weynig gereedschap
uythouwen",
Rumphius expresses himself in similar
words:
From
17t century inventories (Inv. 2, Inv. 4)
can be gleaned that there were many pieces of
furniture made from kaliatur wood. Kaliatur was
exported in great quantities from the Coroman-
del Coast. Herbert de Jager, merchant in the
service of the V.O.C., wrote the following to
G.E. Rumphius in 1689:11)
"(Red Sanders or kaliatour), which these days
one can acquire in great quantity in the northern
part of the Coromandel Coast; and from the
which also all manner of beautiful household fur-
niture of chairs, and settees is made"
"The Choromandel Coast is especially richly en-
dowed with (ebony) from which the Natives make
all manner of curious work, such as chairs,
settees, and small tables, the same being artfully
carved with foliage and sculpture, and so skilfully
and with such limited
tools, also for such a low
price, that it doth
amaze.
"In C
e
yl
o
n around Trinkenamale, they have
t
he
s
e
trees (Diospyros species) also very great and
i
n pro
fusi
o
n, however the people there do not
mak
e
a
s much use of it as on the Coast".
latin